The lyrics I do remember are mocking me about this. "Nothing's ever truly lost, nothing's ever gone." The melody is roughly (with some tweaks to make it scan) C C B C high-C C B, A B high-B B A.
I would also like to know how, when you're having a sing-along of a newly-written Broadway song while riding in a car, the composer who's sitting in the back seat with two other people can manage to have a piano with her. I don't think that bit actually works either.
Crossposted from Dreamwidth (original here), with comments. Comment here or there; comments here will eventually be duplicated to there.